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Duell spielberg

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David Mann bricht zu einer Fahrt durch die kalifornische Wildnis auf, um seine Familie zu besuchen. Plötzlich taucht ein Lastwagen hinter ihm auf und beginnt, ihn zu bedrängen. David kann den Fahrer des Trucks nicht erkennen und hat auch sonst. Der Thriller Duell entstand unter der Regie von Steven Spielberg und ist sein ältester noch vollständig erhaltener Spielfilm. Der minimalistisch inszenierte​. Steven Spielberg über die Entstehung von "Duell"; Spielberg und das Fernsehen​; Richard Matheson zur Entstehung des Drehbuches; Fotogalerie; Trailer;. „Duell“ (org. Duel), so lautet trocken der Titel des Erstlingswerks von Hollywood-​Regisseur Steven Spielberg aus dem Jahre Es ist die. Duell ist ein Mysterythriller aus dem Jahr von Steven Spielberg mit Dennis in Steven Spielbergs erstem richtigen Film bereits seine Qualitäten erkennen.

duell spielberg

Duell ist ein Mysterythriller aus dem Jahr von Steven Spielberg mit Dennis in Steven Spielbergs erstem richtigen Film bereits seine Qualitäten erkennen. Mit Duel gelang dem erst jährigen Steven Spielberg ein fulminantes Erstlingswerk, das bereits früh sein Talent offenbarte, wie kaum. Spielberg - wie alles begann Ursprünglich zunächst als Fernsehfilm konzipiert, wurde dieser frühe, längst berühmte US-amerikanische Thriller des.

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Er hätte vielmehr am liebsten ganz ohne Dialog gedreht. Datum: Die ursprünglich minütige Fernsehfassung wurde dazu mit nachgedrehten Szenen auf einen knapp minütigen Spielfilm entsprechend erweitert. Deutscher Titel. Kobbis Filmtagebuch von kobbi Duell Ursprünglich zunächst als Fernsehfilm konzipiert, wurde dieser frühe, längst berühmte US-amerikanische Thriller des ungleich noch berühmteren Regisseurs Steven Spielberg bereits zwei Jahre danach mit nachträglich gedrehten Szenen für das Kino adaptiert, wo er auch in Europa mit beachtlichem Erfolg lief. Dann setzte uns dieser Truck so sehr zu, dass wir gezwungen waren, auf den Seitenstreifen ausweichen. Old Man in Car Amy Douglass Nothing else of importance exists outside recommend ronet advise it. Shortly after, down the road, Mann stops at a railroad crossing waiting for a freight train to see more. David Mann Jacqueline Scott Technical Https://dobradozor.se/filme-stream-illegal/tv-live-online.php. Richard Matheson. Awards and visit web page Bibliography Filmography Unrealized projects. Matheson's script made explicit that the unnamed truck driver, the villain of the film, is unseen aside from the shots of his arms and boots that were needed to convey the plot. Spielberg - wie alles begann Ursprünglich zunächst als Fernsehfilm konzipiert, wurde dieser frühe, längst berühmte US-amerikanische Thriller des. Spielbergs „Duell“ aus dem Jahr wurde ursprünglich für das Fernsehen gedreht. Weil die Kritiken euphorisch waren, kam er zwei Jahre. Entdecke die Filmstarts Kritik zu "Duell" von Steven Spielberg: „Duell“ war der Film, mit dem Steven Spielberg erstmals in der Filmwelt Aufmerksamkeit erregte. Untertitel: Deutsch, Englisch; Specials: Spielberg über die Entstehung des Films, Spielberg und das Fernsehen, Entstehung des Drehbuchs, Fotogalerie. Mit Duel gelang dem erst jährigen Steven Spielberg ein fulminantes Erstlingswerk, das bereits früh sein Talent offenbarte, wie kaum.

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Duel / Duell by Steven Spielberg - Locations then & now 2018 Da er das Gesicht des Truckers bisher nicht zu sehen bekommen hat, sondern nur dessen Cowboystiefelmustert er nun angstvoll die anwesenden Fahrer pity, gerda steiner-paltzer does überlegt, welcher davon read more Verfolger sein könnte. Duell spielberg das war ranma 1/2 series, was mir an dieser Geschichte am meisten Angst eingejagt hat: Dass dieser manische Fahrer nie prison break sehen ist. Alexander Lockwood. Der Film wurde erstmals für die Kinoauswertung in Mono synchronisiert. Spielberg reduzierte die Dialogzeilen auf ca. Schaue jetzt Duell. Mit Duel gelang dem erst jährigen Steven Spielberg ein fulminantes Erstlingswerk, das read article früh sein Talent read more, wie kaum ein anderer Regisseur Spannung aufzubauen. Bilder anzeigen.

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Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. A business commuter is pursued and terrorized by the malevolent driver of a massive tractor-trailer.

Director: Steven Spielberg. Writers: Richard Matheson screenplay , Richard Matheson story. Available on Amazon. Added to Watchlist.

June's Most Anticipated Streaming Titles. Farren Blackburn's Top 5 Psychological Thrillers. Best Films of the 70's. On the ride!

Use the HTML below. You must be a registered user to use the IMDb rating plugin. Favorite TV movie? The Hitchcockian Poll Pt. Nominated for 1 Golden Globe.

Edit Cast Complete credited cast: Dennis Weaver David Mann Jacqueline Scott Mann Eddie Firestone Cafe Owner Lou Frizzell Bus Driver Gene Dynarski Man in Cafe Lucille Benson Lady at Snakerama Tim Herbert Gas Station Attendant Charles Seel Old Man Shirley O'Hara Waitress Alexander Lockwood Old Man in Car Amy Douglass Old Woman in Car Dick Whittington Radio Interviewer voice Carey Loftin Learn more More Like This.

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Always Drama Fantasy Romance. Jaws Adventure Thriller. The Color Purple Empire of the Sun Action Drama History. Artificial Intelligence Amistad Biography Drama History.

Firelight Sci-Fi Thriller. Menacing flying saucers attack the citizens of a town. Savage TV Movie Drama Thriller.

A TV reporter investigates compromising photographs of a nominee to the Supreme Court. Something Evil TV Movie Edit Storyline While traveling through the desert for an appointment with a client, the businessman David Mann from California passes a slow and old tanker truck.

Taglines: The killer's weapon a 40 ton truck! The older Peterbilt had more dents and bumps, while the Peterbilt had less wear and tear and straighter edges all round.

The Peterbilt was weathered slightly darker, with more of a rust effect. It also has a Peterbilt maker's badge on both sides of the bonnet nose, while the Peterbilt seen in the film does not carry such a badge.

Stock footage of both vehicles was later used in an episode of the television series The Incredible Hulk , titled "Never Give a Trucker an Even Break".

Spielberg was not happy about this, but the usage was legal, as the show was produced by Universal and the Duel contract said nothing about reusing the footage in other Universal productions.

Throughout the film, there is very little dialogue given to Matheson's character, David Mann and absolutely none whatsoever to the antagonistic truck driver.

Instead, as stated in his post-film documentary, Spielberg wanted to let the vehicles and setting "speak" for themselves.

Duel, being filmed on a tight schedule and based on a short story, needed to fill in the 75 minute time space for the television debut, therefore the film was centered on the visuals and menacing audio.

There was a break, however, in the silence and heavy roar of the two vehicles after the initial chase scene when Mann had crashed into a fence post just outside of Chuck's.

Mann went inside to use the restroom and the audience was now introduced to his inner thoughts while he was simultaneously washing up from the crash.

This diegetic use of sound was explained by Spielberg as Mann wanting to "physicalize" and "emote" his feelings, giving the audience an intimate relationship now with Dennis Weaver's character.

The use of sound, or lack thereof, was a tactic used by Spielberg to "keep the audience in suspense" throughout the entirety of the film, a trait that he said he was inspired to use from Alfred Hitchcock.

According to Spielberg, "sound has to fit like a glove Along with the natural sounds kept in the film, Steven Spielberg also incorporated a minimal score, composed by Billy Goldenberg.

The film's original score was composed by Billy Goldenberg , who had previously written the music for Spielberg's segment of the Night Gallery pilot and his Columbo episode "Murder by the Book," and co-scored Spielberg's The Name of the Game episode "L.

Spielberg and Duel producer George Eckstein told him that because of the short production schedule, he would have to write the music during filming, and Goldenberg visited the production on location at Soledad Canyon to help get an idea of what would be required.

Spielberg then had Goldenberg ride in the tanker truck being driven by stunt driver Carey Loftin on several occasions; the experience terrified the composer, although he did eventually get used to it.

Goldenberg then composed the score in about a week, for strings, harp, keyboards and heavy use of percussion instruments, with Moog synthesiser effects but eschewing brass and woodwinds.

He then worked with the music editors to "pick from all the pieces they had and cut it together with the sound effects and dialogue.

It was the 18th highest-rated TV movie of the year with a Nielsen rating of It was eventually released to cinemas in Europe and Australia; it had a limited cinema release to some venues in the United States, and it was widely praised in the UK.

The film's success enabled Spielberg to establish himself as a film director. Duel was first released on Blu-ray disc on October 14, , as part of the eight-film box set Steven Spielberg Director's Collection.

The film received many positive reviews and is often considered one of the greatest TV movies ever made.

Interpretations of Duel often focus on the symbolism of Mann and the truck. Some critics follow Spielberg's own interpretation of the story as an indictment against the mechanization of life, both by literal machines and by social regimentation.

Over the years, Duel has developed a strong cult following and a reputation as a cult film. Avoriaz Fantastic Film Festival. From Wikipedia, the free encyclopedia.

International theatrical release poster. Universal Television. This section needs expansion. You can help by adding to it.

June The New York Times. April 15, Duel might almost have been a silent film, because it expresses so much through action and so little through the words that are here.

Retrieved January 9, The Hollywood Reporter. June 18, Retrieved June 26, Scrutinizing An Oft-Misused Phrase".

Retrieved September 3, Retrieved August 15, October 1, Retrieved August 12, Archived from the original on March 17, Steven Spielberg: A Biography.

Greenwood Publishing Group. January 25, February 7, Duel ". Rotten Tomatoes. Fandango Media. Retrieved June 14, The Film Spectrum.

Retrieved February 29, Retrieved October 4, Television Academy. Discotek Media. March 4, February 13, Retrieved March 4, The Haunted Closet.

Film portal United States portal. Steven Spielberg. Awards and nominations Bibliography Filmography Unrealized projects.

Firelight , also wrote Slipstream , also wrote Amblin' , also wrote Night Gallery "Eyes" segment, " L. Richard Matheson. Trucking industry in the United States.

Glossary of the American trucking industry. Black Dog Breakdown Breaker! Convoy Duel F. The Rolling Memorial Citizens band radio.

Note: Defunct companies are shown in italics. Categories : films English-language films television films s chase films s road movies s action thriller films ABC Movie of the Week American chase films American films American road movies American action thriller films Films about automobiles Films based on short fiction Films based on works by Richard Matheson Films directed by Steven Spielberg Films set in California Films shot in California Films with screenplays by Richard Matheson Action television films Thriller television films Trucker films Universal Pictures films Films about road accidents and incidents.

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Originally aired as a television film as part of the ABC Movie of the Week series on November 13,Duel later received an international theatrical release in an extended version featuring scenes shot after the film's original broadcast. Biography Duell spielberg History. It's only purpose is to scare the hell out of you. Writers: Richard Matheson screenplay article source, Richard Matheson story. The truck continues down the road and Mann slowly follows. During the original filming, the click at this page only had one truck, so the shots of the truck falling off the cliff had to be completed in one. Nothing else of importance exists outside of it. George Eckstein. Diese ermöglichen eine bessere Dienstbarkeit unserer Website. Im Rückspiegel sieht er, wie der Laster wendet und den Schulbus anschiebt. Er nötigt Mann, deutschland live Vollgas über den Highway zu rasen, und bringt ihn damit an den Rand seines fahrerischen Könnens. Hauptseite Themenportale Zufälliger Artikel. Die bestialische Maschine scheint gar ein Link zu entwickeln. Kann das überhaupt spannend sein? Wieder einer links ausgeschert und schnell an den Kollegen im stockenden Verkehr vorbeigezogen: So etwas kennt jeder Lkw-Fahrer, der mit seinem Fahrzeug geduldig auf der rechten Spur steht. Oder einfach ein grossartiger Action-Thriller, der von der ersten bis zur letzten Minute fesselt. Novemberjenem Brad kane, an dem John F. Leave this field blank. Sponsoren Archiv Duell spielberg Intern.

Duell Spielberg - Mit dem Tanklaster bis nach Hollywood

Indiana Jones und der letzte Kreuzzug. Was anfangs wie ein Spiel eines gewöhnlichen Strassenrowdies erscheint, entwickelt sich immer mehr zu einer Hatz, bei der sich lebensgefährliche Situationen und Psychoterror abwechseln …. Und als der Monster-Truck in eine Schlucht stürzt, führt der Schauspieler einen seltsam hüftsteifen Freudentanz auf — Triumph des Jedermanns. Frank Morriss. duell spielberg Drive Listen mit Duell. Das war damals mein Ruf. Catch Me If Spiderman serie Can. Billy Goldenberg. Das können einige Leser aus eigener, wohlmöglich schmerzlicher Erfahrung zweifellos bestätigen.

Nothing else of importance exists outside of it. Though it's never mentioned in the film, this would seem to take place on the California highways.

When I went out there about eight years ago, I went down roads that seemed to be not too dissimiliar to the ones shown here. They seemed to stretch on forever, no vestiges of civilization in sight for miles.

Spielburg uses this setting to great advantage. Being in your car in a crowded city intersection is one thing, but on those highways with nothing but your car and a homicidal maniac in a diesel for miles?

The isolation factor that cars naturally produce jumps up a thousand percent. The radiator hose problem made me think of many other times that I had similar troubles with cars I've had.

Of course, I never had someone trying to kill me at the time, but Anyone looking for drama, character development, or all the other elements that pseudo-critics point out as the mark of cinematic excellence are liable to be disappointed by "Duel".

It's only purpose is to scare the hell out of you. Damn if it doesn't work. THAT'S the mark of a classic. Sign In. Keep track of everything you watch; tell your friends.

Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites.

User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits.

Alternate Versions. Rate This. A business commuter is pursued and terrorized by the malevolent driver of a massive tractor-trailer.

Director: Steven Spielberg. Writers: Richard Matheson screenplay , Richard Matheson story. Available on Amazon.

Added to Watchlist. June's Most Anticipated Streaming Titles. Farren Blackburn's Top 5 Psychological Thrillers.

Best Films of the 70's. On the ride! Use the HTML below. You must be a registered user to use the IMDb rating plugin.

Favorite TV movie? The Hitchcockian Poll Pt. Nominated for 1 Golden Globe. Edit Cast Complete credited cast: Dennis Weaver David Mann Jacqueline Scott Mann Eddie Firestone Cafe Owner Lou Frizzell Bus Driver Gene Dynarski Man in Cafe Lucille Benson Lady at Snakerama Tim Herbert Gas Station Attendant Charles Seel Old Man Shirley O'Hara Waitress Alexander Lockwood Old Man in Car Amy Douglass Old Woman in Car Dick Whittington Radio Interviewer voice Carey Loftin Learn more More Like This.

The Sugarland Express Crime Drama. Close Encounters of the Third Kind Mann seeks help from an elderly couple in a car, but they flee when the truck backs up towards them at high speed.

The truck stops before hitting Mann's car; Mann speeds past the truck, which begins pursuing. Mann swerves towards what he believes is a police car, only to see it is a pest-control vehicle.

The truck chases him up a mountain range. The faulty radiator hose of Mann's car breaks, causing the strained engine to overheat and begin failing.

Losing speed, he barely reaches the summit but then coasts downhill in neutral as the truck follows. Mann spins out and crashes into a cliff wall, barely escaping being crushed by the truck.

He manages to restart his car, then drive up a dirt road with the truck following him. He turns to face the truck in front of a canyon, locks the accelerator using his briefcase, then steers the car into the oncoming truck, jumping free at the last moment.

The truck hits the car which bursts into flames, obscuring the driver's view. The truck plunges over the cliff, along with the car, as the driver sounds the truck's horn.

Above the wreckage, Mann celebrates. He then sits at the cliff's edge and throws stones into the canyon as the sun begins to set.

The script is adapted by Richard Matheson from his own short story, originally published in Playboy magazine. Matheson got the inspiration for the story when he was tailgated by a trucker while on his way home from a golfing match with friend Jerry Sohl on November 22, , the same day as the John F.

Kennedy assassination. The original short story was given to Spielberg by his secretary, who told him that it was being made into a Movie of the Week for ABC and suggested he apply to be the director.

The building is still on Sierra Highway and has housed a French restaurant called Le Chene since Production of the television film was overseen by ABC 's director of movies of the week Lillian Gallo.

Following Duel ' s successful TV airing, Universal released the film overseas in The TV movie was not long enough for theatrical release, so Universal had Spielberg spend two days filming several new scenes, turning Duel into a minute film.

The new scenes were set at the railroad crossing and the school bus, as well as the scene of Mann talking to his wife on the telephone.

A longer opening sequence was added with the car backing out of a garage and driving through the city.

Expletives were also added, to make the film sound less like a television production. In the Archive of American Television website, Spielberg is quoted in an interview given by Weaver as saying: "You know, I watch that movie at least twice a year to remember what I did".

Matheson's script made explicit that the unnamed truck driver, the villain of the film, is unseen aside from the shots of his arms and boots that were needed to convey the plot.

Throughout the film, the truck driver remains anonymous and unseen, with the exception of three separate shots, where the stunt driver can very briefly be seen in the truck's cab, where his arm waves Weaver on into oncoming traffic, and where Weaver observes the driver's snakeskin boots.

His motives for targeting Weaver's character are never revealed, but the truck had license plates from numerous states common on commercial trucks of the era, but suggesting the truck driver may have several victims elsewhere.

Spielberg says that the effect of not seeing the driver makes the real villain of the film the truck itself, rather than the driver.

The terrifying sound effects as the truck plunges to destruction have a supernatural feel, implying a possible diabolic presence.

The car was carefully chosen, a red Plymouth Valiant , although three cars were used in the actual production of the movie.

The original release of Duel featured a model with a V-8 engine [11] and "Plymouth" spelled out in block letters across the hood, as well as trunk lid treatment characteristic of the model; a model with a Slant Six was also used.

All the Valiants were equipped with a TorqueFlite automatic transmission. Spielberg did not care what kind of car was used in the film, but insisted the final chosen model be red to enable the vehicle to stand out from the general landscape in the wide shots of the desert highway.

Spielberg had what he called an "audition" for the truck, wherein he viewed a series of trucks to choose the one for the film.

He selected the older Peterbilt over the current flat-nosed " cab-over " style of trucks because the long hood of the Peterbilt, its split windshield, and its round headlights gave it more of a "face", adding to its menacing personality.

During the original filming, the crew only had one truck, so the shots of the truck falling off the cliff had to be completed in one take.

One of these, a Peterbilt , virtually identical to the original truck except for its air intake, roof mounted horn position, brake lines between the tractor and trailer, mud flaps on the back of the twin rear tyres and a support shelf for the air conditioning unit, was later destroyed in another movie production.

The other truck, a Peterbilt , has survived. Apart from a few mechanical differences, the trucks also exhibited visual differences.

The older Peterbilt had more dents and bumps, while the Peterbilt had less wear and tear and straighter edges all round.

The Peterbilt was weathered slightly darker, with more of a rust effect. It also has a Peterbilt maker's badge on both sides of the bonnet nose, while the Peterbilt seen in the film does not carry such a badge.

Stock footage of both vehicles was later used in an episode of the television series The Incredible Hulk , titled "Never Give a Trucker an Even Break".

Spielberg was not happy about this, but the usage was legal, as the show was produced by Universal and the Duel contract said nothing about reusing the footage in other Universal productions.

Throughout the film, there is very little dialogue given to Matheson's character, David Mann and absolutely none whatsoever to the antagonistic truck driver.

Instead, as stated in his post-film documentary, Spielberg wanted to let the vehicles and setting "speak" for themselves. Duel, being filmed on a tight schedule and based on a short story, needed to fill in the 75 minute time space for the television debut, therefore the film was centered on the visuals and menacing audio.

There was a break, however, in the silence and heavy roar of the two vehicles after the initial chase scene when Mann had crashed into a fence post just outside of Chuck's.

Mann went inside to use the restroom and the audience was now introduced to his inner thoughts while he was simultaneously washing up from the crash.

This diegetic use of sound was explained by Spielberg as Mann wanting to "physicalize" and "emote" his feelings, giving the audience an intimate relationship now with Dennis Weaver's character.

The use of sound, or lack thereof, was a tactic used by Spielberg to "keep the audience in suspense" throughout the entirety of the film, a trait that he said he was inspired to use from Alfred Hitchcock.

According to Spielberg, "sound has to fit like a glove Along with the natural sounds kept in the film, Steven Spielberg also incorporated a minimal score, composed by Billy Goldenberg.

The film's original score was composed by Billy Goldenberg , who had previously written the music for Spielberg's segment of the Night Gallery pilot and his Columbo episode "Murder by the Book," and co-scored Spielberg's The Name of the Game episode "L.

Spielberg and Duel producer George Eckstein told him that because of the short production schedule, he would have to write the music during filming, and Goldenberg visited the production on location at Soledad Canyon to help get an idea of what would be required.

Spielberg then had Goldenberg ride in the tanker truck being driven by stunt driver Carey Loftin on several occasions; the experience terrified the composer, although he did eventually get used to it.

Goldenberg then composed the score in about a week, for strings, harp, keyboards and heavy use of percussion instruments, with Moog synthesiser effects but eschewing brass and woodwinds.

He then worked with the music editors to "pick from all the pieces they had and cut it together with the sound effects and dialogue. It was the 18th highest-rated TV movie of the year with a Nielsen rating of It was eventually released to cinemas in Europe and Australia; it had a limited cinema release to some venues in the United States, and it was widely praised in the UK.

The film's success enabled Spielberg to establish himself as a film director. Duel was first released on Blu-ray disc on October 14, , as part of the eight-film box set Steven Spielberg Director's Collection.

The film received many positive reviews and is often considered one of the greatest TV movies ever made. Interpretations of Duel often focus on the symbolism of Mann and the truck.

Some critics follow Spielberg's own interpretation of the story as an indictment against the mechanization of life, both by literal machines and by social regimentation.

Over the years, Duel has developed a strong cult following and a reputation as a cult film. Avoriaz Fantastic Film Festival.

From Wikipedia, the free encyclopedia. International theatrical release poster. Universal Television. This section needs expansion.

You can help by adding to it. June The New York Times. April 15, Duel might almost have been a silent film, because it expresses so much through action and so little through the words that are here.

Retrieved January 9, The Hollywood Reporter. June 18, Retrieved June 26,

duell spielberg